The Detroit Post
Monday, 18 October, 2021

Fastest Trumpet Player

Carole Stephens
• Tuesday, 03 November, 2020
• 12 min read

Ken Bogged, Montana music instructor and trumpet player extraordinaire, starts slow and ends up at nine notes per second. Recorded in Red Lodge, Montana.

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Show preshow less Loading... Being one of the most powerful factors in the world of jazz as well as the best trumpet player ever, Louis ‘” Satchmo” Armstrong created masterful phrasing and virtuoso, groundbreaking trumpet playing as well.

His singing along with these fantastic things highly motivated age groups of musicians for decades. After that, in the early’ 20s, he moved to Chicago in order to take part in Joe “King” Oliver's Creole Jazz Band.

Not until 1956 when the movie “High Society” was published did his attractiveness begin spreading more widely until his death. The performance that he made at that time received lots of commendations mainly due to the playing combination of trumpet and Mulligan’s baritone sax.

Moreover, he also recorded Chest Baker & Crew, one of many fine discs with tenor player Phil USO (who stayed in Denver in the ’90s and died here five years ago) He was considered as a talented trumpet player ; however, he faced the severe problems of drug, particularly during his adult time.

At the age of eighteen, Lee Morgan started out playing in Dizzy Gillespie ‘s big band as the main force in hard bop. After that, he continued to record John Coltrane’s epic 1957 album, Blue Train, as well as many discs with Art Blake’s Jazz Messengers and Hank Mobley.

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He was such a great person that Armstrong had to claim:” Jazz would not be as it is today without the contribution of Joe Oliver.” In 1922, he formed a group called “King Oliver and his Creole Jazz Band” which gained much success.

It is really sad to say that because of Oliver’s weakness in business, he had been stolen a lot of money from dodgy managers. It will be a big mistake if we do not mention Theodore “Fats” Navarro, one of the best trumpet player of all time.

He showed incredible ability and was regarded as a potential trumpet player, however, unluckily, he died very early, just at the age of 26. Besides Dizzy Gillespie, Navajo was known as one of the bebop’s greatest trumpeters, as well as influenced much on Brown.

Trumpeter Clifford Brown died at an early age of 25 in 1956 because of a car accident. But he still inspired and impacted lots of players, such as Freddie, Donald Byrd, Lee Morgan, and Hubbard.

He was so talented that he took charge of many tasks at the same time: a composer, a bandleader and of course, a great trumpet player. With the release of his Cool album (although recorded in the late 1940s, it was not issued until 1956), Davis started the break of a new movement of the smooth jazz.

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His memorable and great achievement was to become a pioneer in making some changes in the West Coast genre of jazz. Ten years later, Davis introduced a new fusion of jazz and rock with the Bitches Brew and in a Silent Way.

Unlike Dizzy Gillespie playing at high notes or breakneck speeds, Davis chose to enjoy the middle register. In the ‘50s, Art Farmer began playing bop with Sonny Rollins, Gerry Mulligan, Horace Silver and Gigi Grace throughout the ’50s.

Because Farmer could play with various styles, he was hired by many arrangers such as George Russell and Quincy Jones. Take the role as a leader; Farmer continued to release some great albums, including 1963’s Live at the Half-Note, which focused on guitarist Jim Hall.

Moreover, he performed and recorded with many legendary players in terms of Sonny Rollins, Here Hancock, Eric Golf, Jackie McLean and Was Montgomery. In the early ‘90s, a wonderful combination of jazz and hip-hop had been made by Donald Bred and rapper Guru.

Watkins joined in most of the soundtracks in the films of James Bond, typically are Dr. No in 1962, Sky fall in 2012, the iconic theme in Monty Norman and Gold finger of John Barry as well as the one in For Your Eyes Only of Bill Cont in 1981. He attracts lots of audiences around the world due to the supercharged tone as well as the highest register.

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Furthermore, Sandoval always wants to satisfy the crowd by playing high notes to show the music value; however, he still does not release any record greater than the ones of his preceded trumpeters. After releasing the first debut-Open Sesame, 1960, Freddie Hubbard continued to work as a colossal player in hard pop, besides trumpeter.

It was partly due to his stint during three years with Art Blake (The Jazz Messengers) in the early 1960s. And in the early 1970s, he issued the recordings of Straight Life and Red Clay which are also the ones marking his five-decade career.

Gillespie also took responsibility for one of the stellar plays (with Bub Powell and Charlie Parker) on the legendary live album of Quintet at Massey Hall which is among the most wonderful bop records. Maynard Ferguson, who is a leader of a band as well as a trumpet player, died at the age of 78 of kidney and liver failure.

His extraordinary, fortitude power and lip-torning-apart high-note command factually terrified all brass players around the world at his time. Nonetheless, in the opinions of nearly all of big bands’ fans, it was such an electrifying arrow into the stratosphere that they had heard.

After growing up in extreme poverty in New Orleans, Louis Armstrong broke down racial barriers and became a huge mainstream star at a time when this was unusual for African Americans. Nicknamed ‘Little Jazz’ due to his short stature, Eldridge came to prominence during the Swing era of the 1930s, playing trumpet with major bands led by Gene Krupp, Artie Shaw and Fletcher Henderson, and later with Count Basie and Ella Fitzgerald.

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Along with saxophonist Charlie Parker and pianist Bud Powell, Gillespie was one of the founding fathers of the bebop movement as it took root in New York in the 1940s. Some of the most distinctive compositions of the bebop era were penned by Gillespie: ‘Woody ‘N’ You’, ‘Grooving’ High, ‘Salt Peanuts’ and ‘A Night in Tunisia’.

While other famous jazz trumpeters could play higher and faster than Miles, his ability to put together fabulous bands and create classic albums is virtually unmatched. For a lesser known record set that features him, unusually, in an explosively virtuoso mood, try The Miles Davis / Add Cameron Quintet in Paris Festival International DE Jazz from 1949.

A brilliant technician with a warm, round sound, he was primarily influenced by Fats Navarro, and would himself prove to be an inspiration for Lee Morgan, Freddie Hubbard, Donald Byrd and countless other famous trumpet players in years to come. Is considered one of the most influential hard bop groups, and he also worked as a sideman with Art Blake, Sonny Rollins, Helen Merrill and Sarah Vaughan.

Brown was by all counts a warm, modest and clean-living character who avoided the various addictions that were common amongst jazz musicians in those days, and many heart-felt tributes were written or recorded for him following his death, including Benny Olson’s ‘ I Remember Clifford ’. In the early 1950s he was a member of Gerry Mulligan’s quartet, which was unusual for its lack of a chordal instrument, before a series of records that featured his light, delicate singing voice helped turn him into a major star.

He struggled with addiction for years, and the jazz documentary Let’s Get Lost juxtaposes his sunken appearance in the late 1980s with his earlier film star good looks. However, prior to his mysterious death in Amsterdam in 1988, he had actually had something of a revival, making some of his most technically impressive recordings whilst spending most of his final years in Europe.

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He was a long time member of Art Blake’s Jazz Messengers and had an extensive relationship with Blue Note Records, with his boogaloo-tinged ‘ The Sidewinder becoming a massive hit and helping to establish the label’s signature sound. A run of albums in the 1960s, including Delightful, Search For The New Land, Cornbread and The Procrastinator are all packed with brilliant tunes, largely written by Lee Morgan himself, and played by wonderful bands.

The title track of Morgan’s most famous album is an infectious bluesy bungalow, the success of which kick started a formula that Blue Note would try to emulate on many subsequent records. But as well as this, he made sideman appearances on some all-time classic albums including Wayne Shorter’s Speak No Evil, Here Hancock’s Maiden Voyage, Bill Evans’ Interplay and Oliver Nelson’s Blues and the Abstract Truth.

His career began with sideman performances with Eric Golf and Horace Silver, with whom he recorded the excellent Cape Verde an Blues, and organist Larry Young, whose Unity is an essential classic that features three Shaw compositions. He also spent a period of time living in Paris in the mid-‘60s, working with fellow expats Bud Powell, Kenny Clarke and Dexter Gordon.

In the ‘70s he began recording as a leader with albums like Blackstone Legacy, Rosewood and Stepping Stones: Live at the Village Vanguard, remaining largely faithful to the straight ahead acoustic jazz tradition during a period when fusion and jazz-rock were becoming dominant. In the ‘80s he started to explore more standard material, and also acted as a mentor figure to emerging younger musicians like Terri Line Carrington, Kenny Garrett and Wanton Marshals.

Woody Shaw is on top form on this program of modal music played by a medium-sized ensemble that features long-time collaborator Joe Henderson. Marshals came to prominence in the 1980s as part of ‘The Young Lions’, an unofficial collective of musicians who tended towards swinging acoustic jazz rather than the fusion or Savant garden styles that had been dominant for the previous few decades.


Wanton Marshals is sometimes painted as a conservative, no doubt in part because of his outspoken views on various subjects including late-period Miles Davis and rap music, but this 1985 effort still sounds fresh and highly distinctive. Notice Humans gorgeous sound on the cornet Pay attention to his phrasing and musicality.

Short About Haman Hardenberg Haman Hardenberg (born October 27, 1961, in Malmö, Sweden) He started playing trumpet at the age of 8 after getting his first trumpet, as a Christmas gift, from his parents. When receiving his trumpet, it was according to Haman himself, “love at first sight” and it didn’t take long until he was practicing for several hours every day.

A true pioneer in getting modern composers to write music for the trumpet. Haman Hardenberg is a first class trumpet virtuoso with an astonishing technique.

When it comes to modern classical music, Haman is truly one of the most famous trumpet players today. Listen to Chris Bot ti’s very tasteful, slight airy, beautiful sound Notice how he takes his time and never rushes through phrases.

Wanton has won numerous Grammy Awards and also, he is the only trumpeter in history of time to win both a Grammy Award in classical music AND jazz music during the same year. His amazing technique, and lightning fast double tongue, is something most of us, mere mortal trumpeters, can only dream of possessing.


Short About Ole Edward Anton sen Ole Edward Anton sen (born April 25, 1962, in Norway) He is a first class trumpet virtuoso, musician and conductor. Ole Edward Anton sen is one of the most well-known trumpeters in Europe and the whole world, today.

Some Special Things Ole Edward Anton sen is Well Known For Ole Edward Anton sen is famous for his phenomenal, blistering technique and ability to play extremely difficult pieces. This, of course, contributes to him reaching a big audience and thus being one of the most famous trumpeters alive today.

Some Special Things Wayne Bergeron is Well Known For His incredible upper register playing. You have probably heard his trumpet playing in various movies as Wayne also does a lot of studio work in Los Angeles.

One of the first things that struck me, many years back, when I first heard Sergei play the trumpet was his phrasing and musicality. It’s probably safe to say that his virtuosity is at least at the top 5 level, of all most famous trumpet players of today.

Short About Arturo Sandoval (born November 6, 1949) is a trumpet virtuoso, composer, arranger and multi Grammy Award winner born in Cuba, but now living in America. He met Dizzy Gillespie in 1977 who became is mentor and very good friend and also helped Arturo escape the life in Cuba to move to America.

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Arturo Sandoval is without a doubt one of the most famous trumpet players today. Some Special Things Arturo Sandoval is Well Known For His incredible musicality and improvisation skills His exceptional trumpet range from rock solid pedal notes (Arturo don’t like the word pedal notes, but just call them low notes) to the very high trumpet register of double c and beyond.

Some Special Things James Morrison is Well Known For His phenomenal improvisation skills and his trumpet high register His multi-instrumental virtuosity Listen to Doc’s complete mastery over the trumpets upper register (and the whole register, for that matter) Notice the big and gorgeous sound Doc has and how every note is exactly in tune.

One of the incredible many things Doc has done over the years is leading the band for The Tonight Show With Johnny Carson. His amazing trumpet virtuosity, leaving no piece either difficult for him to play.

At the time of writing this article doc is 91 years old and still performs at a high level. If you check out more of Herb’s videos and playing you’ll see that he puts great emphasis on entertainment value.

Short About Herb Alpert (born March 31, 1935, in Los Angeles California) is a trumpet player that has made more trumpet albums than most trumpeter to this date. Herb Alpert is known for having easy to listen to trumpet music that appeals to a big audience.

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1 on the U.S. Billboard Hot 100 pop chart as both a vocalist (“This Guy’s in Love with You”, 1968), and an instrumentalist (“Rise”, 1979). Maynard Ferguson (May 4, 1928 – August 23, 2006) was a Canadian jazz trumpeter and bandleader.

He came to prominence in Stan Kenton’s orchestra before forming his own big band in 1957. Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Sancho, Match, and Pops,was an American trumpeter, composer, vocalist and occasional actor who was one of the most influential figures in jazz.

Clifford Brown (October 30, 1930 – June 26, 1956) was an American jazz trumpeter. He died at the age of 25 in a car accident, leaving behind four years’ worth of recordings.

Best known for his lead trumpet work on the soundtracks of James Bond films. Dizzy Gillespie (October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, and singer.

Bud Crisis (April 11, 1937 – June 1978) was a jazz and studio trumpet player. Bud is one of the most famous high note trumpet players of all time.

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Chest Baker Maurice Andre (21 May 1933 in Ales, France, and died 25 February 2012 in Bayonne) was a French trumpeter, active in the classical music field. André inspired many innovations on his instrument, and he contributed to the popularization of the trumpet.

Miles Davis May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music.

Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Cat Anderson September 12, 1916 – April 29, 1981) was an American jazz trumpeter known for his long period as a member of Duke Ellington’s orchestra and for his wide range (more than five octaves), especially his playing in the higher registers.

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